"Good design is in no way dependent on money. I like to spend the minimum of money and yet gain the maximum effect. Style is not what you do but how you do it." Amen!
"Function is just as important as aesthetics; but there is no reason why, if a problem is properly considered, function should in any way interrupt aesthetics. Very often the practical aspect of an idea can improve the aesthetic pleasure one gets from it. Function dictates design."
"Good lighting is subtle lighting; the more sources of light, the subtler the effect. Fluorescent lighting has no place in the home."
"I am always looking for total simplicity and practicality in modern design."
"I dislike brightly coloured front doors, they are more stylish painted white, black or other dark colours. I hate wrought iron. I loathe colour used on modern buildings - it should be inside. I do not like conventional standard lamps - I prefer functional floor standing reading lights."
"A seventeenth-century house may have dark paintwork but rarely a dark ceiling. In general, all ceilings and most paintwork in rooms should be white or of a light colour."
"I am inclined to begin with a room looking very bare but, being an inveterate collector, I nearly always end up with a good deal of clutter. It is not a question of what you do but how you do it which adds up to style. Even in a hotel room I unpack all the books and sketch pads that I travel with, put them on a table and arrange them, but then I am an arranger by nature."
"Too little real consideration is given to good detailing."
Today there are far too many good fabrics, carpets and wallpapers available to the few and not enough good ones available to everyone. Expensive antiqued velvet is hideous yet plain course linen is inexpensive and elegant. I hate satin, particularly when it has designs printed on it."
"I like rows and rows of tonic water bottles, apple and tomato juice, two of three syphons of spirits lined up behind each other; it gives a generous, welcoming atmosphere, and if a bus-load of friends does descend upon you, you are ready for them."
"Patterns can give great atmosphere, as can be seen in the paintings of Vuillard and Matisse and earlier Pre-Raphaelite interiors. I love pattern and use it a great deal, especially in carpets."
"I have always had a passion for what some people consider clashing colours. I call them vibrating colours - for instance, vermilion, shocking pink, puce, salmon pink and blue pink. I like them with aubergine. All reds go together , and I include both pink and orange in the red family."
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