Young Designers and Collectors

Thursday was an interesting day. It started with a Design Big: From Conception to Reality a panel discussion about how to start and manage a successful design business that was sponsored by American Express Open and Domino. (Talk about timing.) Tori Mellott was moderator to the panel with included Stephanie Odegard of Odegard, Inc. and interior designers Christopher Coleman and Ashley Whittaker. It was a very informative discussion and the bullet points that I can give you if you are thinking of starting your own design business is to be extremely organized, learn how to sell yourself and your work, don't turn down your nose at any small job because a simple bedroom job could turn into an entire summer house in a year or two. Also, don't be afraid to get financial advice. We all know that creative types sometimes aren't the most business savvy. And if you're a design assistant looking for work, be open to freelancing which some designers are turning to instead of full time employees.

The day ended with the Young Collector's Night at the Winter Antiques Show where I ran into everyone's favorite Top Design Contestant and Blogger, Eddie Ross with his partner Jaithan Kochar (I can't stop humming the Green Acres theme song whenever I think of them moving to the country!); Emily Eerdmans, the fabulous author of Regency Redux (along with Kelly Wearstler who wrote the forward) who also works for Hyde Park Antiques and was manning their booth; and Natalie Obradovich, a former design assistant to Kelly Wearstler who is currently looking for a design job in NYC.

One of the other topics of the panel discussion earlier in the day was where to find inspiration in this tough economy if you can't afford to travel the world and Stephanie Odegard suggested museums like The Metropolitan Museum of Art where you can visit the art of the world. I also think that The Winter Antiques Show is another great place to be inspired and to also learn something new. I studied art history so I have a little knowledge of decorative arts and antiques but when I look at all the wonderful booths, I realize that there is so much more to learn. Even if your decorating style isn't traditional, you can still be inspired by the paintings or a pattern on a vase. The Winter Antiques Show benefits the East Side Settlement House so your patronage would be greatly appreciated in these tough times. I'm going to stop by again on Saturday to see what I missed the other night so maybe I will see you there! Bon Weekend!

Thanks House Beautiful!

I owe House Beautiful another big thank you for including Habitually Chic as one of the sites they love. And another thank you goes out to Amy Claire Preiser for writing it up! Check out Sites We Love on House Beautiful here. (Oh, let's all make sure we support House Beautiful so they're not next on the list of shelter magazines we loved but are no longer with us!)

Technical Difficulties

I apologize for not posting yesterday or earlier today. My internet service was out for over 24 hours. And as soon as it came back, the television cable went out. Thanks Time Warner. I will now be researching new service providers in addition to working on a new blog post. Please stand by.

Bedroom of The Week - Carolyne Roehm

I've posted before about my love for designer Carolyne Roehm's master bedroom in her spectacular New York City home. I was floored the other day to run across a lengthy pictorial in an old New York Social Diary post showing her entire home, including some new angles and view of the very large master bedroom that I had not seen before. From the photos I had seen I had no idea of the scale of the room.


This is the view that became so popular in the blogoshphere of the spectacular upholstered bed which was modeled after a late 19th century antique. Apparently Miss Roehm was so smitten with this Cowtan & Tout floral that she set out to cover everything in it. I would love to have seen her upholsterers face when she told him to cover the entire bed! It certainly must have been a challenge fit for only a true artisan but the finished product is spectacular.

The view from the end of the bed shows matching nooks fitted with glazed doors flanking the beautiful period fireplace.


Another view of that wall, again showing off a few of the many antiques used in the space. The entire home is filled with museum quality pieces and yet it has an overriding sense of comfort and hospitality.


This view of the bed gives a sense of the true size of the space, a rarity in the city.

More antiques and a lovely painting. Vignettes are placed throughout the space consisting of personal photos, small collections, and tiny flower pots.


A skirted vanity does not look like it gets much use but it is a pretty addition to the room.

Look at the exquisite detailing and the free scroll work on the pair of Rococo guilt mirrors that flank the bed.



Technology, aka, the dreaded TV, is cleverly hidden behind the glass doors on the fireplace wall. I am dying to know what is in the green and white covered books. Are they covered magazines, they look too large to be DVDs or videos? I suppose they could be albums of DVDs but that would be quite a collection! They are all the same size. What could they be - photo albums - why are they in the bedroom? A mystery!

Check out the entire post at the New York Social Diary to get a look at the rest of her spectacular home.

"I feel like I'm going to cry!"

This has got to be the worst day in New York. It's snowy and raining. There is at least six inches of muck and slush on every street corner. I think I may have ruined my boots. And it's the day that word came that Domino is to cease publication after the March 2009 issue. I was sitting in the chair at the hair salon trying to enjoy a little pampering when the first death knell email of many arrived. The sentiments were all the same. Everyone is very sad and upset. Domino was a favorite among my friends and although we had heard the rumors it might fold, I hoped they would make it for a few more months or even a year. But alas it is not meant to be.

I just don't get what is wrong with American magazine publishing. Why does it seem like European magazines are doing fine while American magazines continue to fold. I would paid more per issue to keep Domino alive. It spoke to my demographic. I could relate to the designers and people profiled. I could afford the items they featured. As much as I love Elle Decor, which I picked up on my way home, it's very aspirational. That's not the way any of my friends or I live right now. Maybe someday but not today.

The worst part is that many people had just had their homes photographed for the designers to watch series for the April issue. I've already told them that I would be happy to post them on my blog. I already mentioned that I want to feature more original interiors and young designers on my blog this year so this news just makes me more determined to support, encourage and champion them and anyone else who is talented, creative and inspiring.

So if there is anyone out there who dreamed of having their home or designs published in Domino, feel free to email me. Since there aren't many shelter magazines left, I'd be more than happy to start posting them on my blog. But right now, I think I'm going to go take a look through all my old issues of Domino and mourn the loss of my favorite magazine. I might also have a good cry while I'm at it. It's a very sad day.

Clandeboye

I've been a little behind on my magazines and have been trying to catch up before the mammoth March issues arrive and I'm so glad I finally got through February's W magazine. I'm still marveling at the extraordinary life of Lindy, the Marchioness of Dufferin and Ava who lives in Clandeboye, a 2,00 acre estate in Northern Ireland. I guess she could be described as eccentric but in a good way. She grew up in and also married into the Guinness family, spent the winter of her 14th year with her father, step-mother and Truman Capote in Palm Beach, sailed with Jacques Cousteau, and with her husband became "central figures in the contemporary art scene in London" where she became a collector of David Hockney, Francis Bacon and Lucian Freud who also became a brother-in-law by marriage. Today, she continues preserving the family home that she and her late husband restored which is filled with British empire furnishings. The entire story by James Reginato had me enthralled and can be read online at W magazine.

The entry hall above is decorated with souvenirs and treasures from East Asia that were collected by the First Marquess of Dufferin and Ava who was an ambassador.

Lady Dufferin doesn't mind getting dirty in her garden!

Al the bedrooms are named after places that the First Marquess was sent as an ambassador and the beautiful room above is "Paris."

The gallery has beautiful furnishings and amazing floor to ceiling windows.

A lovely portrait hands above the bed in the "France" bedroom.

The bookcases in the library are inscribed with the names of Greek gods in gilt and is home to beautiful leather bound editions.

This whole story reminded me of the type of home that would have been chronicled in watercolors similar to those I saw at the show at the Cooper Hewitt this past weekend and I wasn't wrong but in this case, they were painted by the lady of the house in oil. Lady Dufferin or Lindy Guinness as she is known in the art world painted The Library at Clandeboye, Morning Light above in 2003. An exhibition of her paintings will open in April at the Browse & Darby Gallery in London. I may have to plan a trip across the pond for it because I can already imagine that it will be quite an event!

One of the most interesting rooms is the inner hall which houses heraldry, weaponry and hunting prizes. And the outside of the estate below is just as majestic as the interior and the story of Clandeboye!

Photos by Simon Watson

Big News in My Little World

My transition from practicing Interior Designer and Showroom owner to writer, illustrator and product designer has not been long by industry standards ( I've been working on it for a little over three years now) but it sometimes seems like a eternity to me.

The financial payoff is still a ways off in the future and I have had to considerably scale back my lifestyle. There have been many days and late nights spent drawing when I have questioned my decision to switch gears and work at my new goals full time.

On the other hand, my new career has brought me friendships and associations that I would never have developed if I had not made the decisions that I did. It has also brought me fantastic opportunities that I never dreamed would be available to me.

As I was drawing the treatments for my first book it quickly became apparent to me that it would require me to design unique patterns and color schemes for each drawing.

This was no easy task and was probably the most time consuming step of the process but one that I also found very gratifying.

For each design I drew a fabric pattern and chose a color palette that I would have used if I where specifying the treatment in real life. I did not want to use plain colors or repeat motifs. I wanted the selections for each design to reflect its personality.

In my original designs I tend to use varying scales of pattern with large motifs highlighted by the shape of the treatment.

It is not uncommon for me to use five or six different fabric in one treatment if it is appropriate for the design.

Anyway, apparently my hard work and attention to detail did not go unnoticed! ( take this as a lesson kids - always do your absolute best and good things will come of it).

DRUMROLL PLEASE !!!!!! I have been given a fabulous opportunity to design a signature line of fabrics for a leading manufacturer of custom, print to order fabrics, Adaptive Textiles.

Adaptive Textiles was started by the talented husband & wife team of Larry and Jeanelle Dech. Jeanelle, herself an interior designer, master workroom technician, slip cover magician, industry innovator and educator, saw the substantial benefits of print on demand fabric production and was among the first to invest in the state of the art technology.

This method of printing is eco-friendly and is being embraced by "green" designers around the world because of it's no-water process and zero ink waste. ( honestly I don't know that much about fabric production but I plan to give myself a crash course - I'll share the highlights with you later.)

Designs can be printed on a wide number of different ground cloths giving you flexibility in fiber content, weave, durability, hand of the fabric, drapability, and finish. Their services are available to anyone who wants custom printed fabric in small runs. You can create your own designs or a complete private label collection.

My signature fabric designs ( that sounds so cool!!! ) will be available for use with the Jackie Von Tobel modules of Minutes Matter Studio which is anticipated for release beginning in March! I will be documenting the entire process here and how the fabrics will be integrated into the Studio modules.

To say that I am excited is a vast understatement. I am over the moon and I can't wait to get going. The plan is to introduce the first patterns of the collection at The International Window Fashions Expo in Atlanta in May so if you're in the area come on over - the drinks will be on me!

The success of my book and all of the subsequent opportunities that have come my way are all the result of a few very important people who have taken time from their busy lives and businesses to look at my work, give me advise and encouragement and welcome me into their worlds. Words cannot express my gratitude to: Christopher Robbins, Suzanne Taylor, my editor Madge, and everyone else at Gibbs-Smith, Debbie & Casey Green and everyone at Minutes Matter & Studio, Beth Hodges, Jeanelle Dech at Adaptive Textiles, Deb Barrett, Margie Nance, Susan Schurz, Joan Willis, Lavelle Pindler, M'Fay, Grace McNamara, Bruce Knott, Shannon Flaherty, Nika Stewart, Pate-Meadows, and the rest of the design and blogging community that I have come to know and love. (Sorry I'm getting sappy!)

Also, I can't forget the fam-dam-ily, My awesome and very handsome man of the house Arnie, my two sons - JT & Geordie, and the resident princess, Angelica. Oh yeah - the two most spoiled dogs in the world Peaunt & Marty.

I hope that the process will make for some interesting posts! Can't wait to see how it all turns out.

At Home at Sarlo

I love stores that look like homes. I think it makes it so much easier to picture how something would look in a room which is especially helpful for non-designers. They also look like places you would want to hang out in all day and Gabriella Sarlo's shop/showroom Sarlo is no different. The space was co-designed by Stephen Shubel who I featured last week and Sarlo represents his French antiques, as well as new furniture from Pieter Porters and Astier de Villatte among others. Gabriella is also friends with interior designer Grant K. Gibson so it seems that all the talented designers in San Francisco know each other. I definitely can't wait to plan a trip to visit them all. And if the weather in New York doesn't warm up soon, I might just be joining them for good!

House Proud

I finally had a chance to see House Proud: Nineteenth-century Watercolor Interiors from the Thaw Collection at the Cooper Hewitt this past weekend and was so glad that I made it before it closed Sunday. The watercolors were amazing and so were the stories of surrounding each of them and the rooms they depicted. It was such a wonderful insight not only into interior design of the times but the history and purpose of the different rooms in a home. I was also struck by the intricate detail of the watercolors and beautiful furnishings and patterns in so many of them. I purchased the accompanying book House Proud and I recommend it to anyone who is interested in learning more about these stunning interiors.

Rudolf Von Alt, The Japanese Salon, Villa Hugel, Heitzing, Vienna, 1855

James Roberts, Salon Particulier de la Reine au Palais de Buckingham (The Queen's Sitting Room at Buckingham Palace), August 1848

Henry Robert Robertson, The Interior of Hall Place at Leigh, near Tonbridge, Kent, 1879

Carl Friedrich Wilhelm Klose, The Red Room, Schloss Fischbach, c. 1846

Matthaus Kern, A Study at St. Polten, 1837

Edouard Gaertner, The Chinese Room at the Royal Palace, Berlin, 1850

Julie Bayer, An Artist's Studio, c. 1850

Bouilhet, A French Restoration Bedroom, 1823